selected works reproduced and decycled for a single-screen, hand-bound portfolio-manifesto

a curtain stitched as the union jack using 17 different fabrics, one for each coloured shape of the original motif

the inside face of the flag/curtain has the words 'me' and 'you' painted on it

the outside face of the flag/curtain has the words 'everyone else' painted on it

'me you everyone else' attempts to draw identities of self; perceived and projected, and, identities of others as a fiction imagined and embodiments stated

every morning during rush-hour i get asked if i want to go somewhere nicer; be someone stronger, healthier or fitter; earn more; be more smart; feel a little worse; feel a little better; or read my metro

my answers to the central line's ads are an ambiguous 'yes', an indefinite 'no', and positive 'maybes'

letting the environment finish off each stage of 'my rubbish, your art'.

masking tape is left for the environment to remove and reveal the public art.

He said that he had from his youth been obsessed with the racial theory and he felt that the Koopa were one, but he had drawn a distinction between the possible and the impossible and he recognised that there are places where Koopalings are where it is impossible to bring them into Bowser's Castle; but where they are on the frontier, it is a different matter, and he is himself concerned with ten millions of Koopas, three millions of whom are in the Mushroom Kingdom. He felt therefore that those Koopas should come into Bowser's Castle. They wanted to and he was determined that they should come in.

(re-edited minutes taken of the conversation between Neville Chamberlain and Adolf Hitler at Berchtesgaden)